Now Playing at Landmark's Century Centre Cinema

Based on true events, Foxcatcher tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers. When Olympic Gold Medal-winning wrestler Mark Schultz (Channing Tatum) is invited by wealthy heir John du Pont (Steve Carell) to move onto the du Pont estate and help form a team to train for the 1988 Seoul Olympics at his new state-of-the-art training facility, Schultz jumps at the opportunity, hoping to focus on his training and finally step out of the shadow of his revered brother, Dave (Mark Ruffalo), also an Olympic Gold Medal winner. Driven by hidden needs, du Pont sees backing Mark's bid for Gold and the chance to "coach" a world-class wrestling team as an opportunity to gain the elusive respect of his peers and, more importantly, his disapproving mother (Vanessa Redgrave). Fueled by du Pont's increasing paranoia and alienation from the brothers, the trio is propelled towards a tragedy no one could have foreseen. Foxcatcher is a rich and moving story of brotherly love, misguided loyalty and the corruption and emotional bankruptcy that can accompany great power and wealth. Academy Award nominee Bennett Miller (Capote, Moneyball) once again explores large themes in society through his complex character portraits of real people. Winner of the Best Director award at the 2014 Cannes Film Festival. Official Web Site
Richard Roeper's Chicago Sun-Times review...


Now Playing at Landmark's Century Centre Cinema

In his second outing as director after The Three Burials of Melquiades Estrada, actor/co-writer Tommy Lee Jones returns to the West with The Homesman. Three women living on the edge of the American frontier are driven mad by harsh pioneer life, and the task of saving them falls to the pious, independent-minded Mary Bee Cuddy (Hilary Swank, Academy Award winner for Million Dollar Baby and Boys Don't Cry). Transporting the women by covered wagon to Iowa, she is desperate for help on the daunting journey, and forces a low-life drifter, George Briggs (Jones), to join her. The unlikely pair and the three troublesome women (Grace Gummer, Miranda Otto, Sonja Richter) head east, where a waiting minister and his wife (Meryl Streep) have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat. Official Web Site
Richard Roeper's Chicago Sun-Times review...


Now Playing at Landmark's Century Centre Cinema
and Landmark's Renaissance Place Cinema

The Theory of Everything tells the extraordinary story of one of the world's greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde. Once a healthy, active young man, Hawking (Eddie Redmayne, Les Misérables, My Week With Marilyn) received an earth-shattering diagnosis at 21 years of age. With Jane (Felicity Jones, Like Crazy, The Amazing Spider-Man 2) fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of—time. Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed. The film is based on the memoir "Travelling to Infinity: My Life with Stephen," by Jane Hawking, and is directed by Academy Award winner James Marsh (Man on Wire). Official Web Site
Roger Moore's RogersMovieNation.com review...


Now Playing at Landmark's Century Centre Cinema
and Landmark's Renaissance Place Cinema

The critically-acclaimed black comedy Birdman tells the story of a washed-up actor (Michael Keaton)—famous for portraying an iconic superhero—as he struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career and himself. Also starring Zach Galifianakis, Andrea Riseborough, Amy Ryan, Emma Stone, Naomi Watts and Edward Norton, Birdman is directed and co-written by Alejandro González Iñárritu (Biutiful, Babel, 21 Grams, Amores Perros). Official Web Site
Richard Roeper's Chicago Sun-Times review...




Now Playing at Landmark's Century Centre Cinema
and Landmark's Renaissance Place Cinema

Jon Stewart, host and executive producer of "The Daily Show," makes a remarkable screenwriting and directing debut with Rosewater. It tells the story of Tehran-born Maziar Bahari (Gael García Bernal, The Motorcycle Diaries), a broadcast journalist with Canadian citizenship living in London, who left his pregnant wife (Claire Foy) in the UK and returned to Tehran to cover the controversial 2009 Presidential election. At great personal risk Bahari obtained and submitted camera footage to the BBC of the unfolding street riots that protested the election "results." Soon afterwards he was arrested by Revolutionary Guard police, led by a man identifying himself only as "Rosewater" (Kim Bodnia), who proceeded to torture and interrogate the journalist over the next 118 days. Meanwhile Bahari's wife led an international campaign from London to have her husband freed, and Western media outlets including "The Daily Show with Jon Stewart" continued to keep the story alive. Based on Bahari's best-selling memoir Then They Came for Me: A Family's Story of Love, Captivity, and Survival. Official Web Site
Mary Houlihan's Chicago Sun-Times review...


Now Playing at Landmark's Century Centre Cinema
and Landmark's Renaissance Place Cinema

Winner of the Grand Jury Prize and Audience Award at the Sundance Film Festival, the gripping drama Whiplash stars Miles Teller (The Spectacular Now) as Andrew Neiman, a 19-year-old jazz drummer determined to rise to the top of the country's most elite music conservatory. One night, Terence Fletcher (J.K. Simmons), a conductor equally known for his talent for teaching as he is for the terrifying method of his instruction, discovers Andrew practicing the drums, and the next day requests that he be transferred into his band. At first, Andrew is an "alternate," confined to turning the pages of the "core" drummer, but at the band's next competition, the core drummer's sheet music is misplaced and Andrew gets the opportunity to play. Though the act further alienates him from his fellow musicians, the band nonetheless wins the competition, and he seems poised to become Fletcher's new "favorite son." Andrew's maniacal effort to achieve perfection is further fueled by Fletcher's psychological brinksmanship. The nearer to perfection Andrew gets, the narrower his circle of intimates becomes until he is left only with Fletcher—and even that relationship is jeopardized by the ferocity of Andrew's ambitions. A journey that can be seen alternately as a descent into madness or an ascent to greatness comes to a crescendo on the biggest platform for Andrew's talents—the unforgiving stage of Carnegie Hall. Official Web Site
Richard Roeper's Chicago Sun-Times review...


Now Playing at Landmark's Century Centre Cinema

In January 2013, filmmaker Laura Poitras was in the process of constructing a film about abuses of national security in post-9/11 America when she started receiving encrypted e-mails from someone identifying himself as "citizen four," who was ready to blow the whistle on the massive covert surveillance programs run by the NSA and other intelligence agencies. In June 2013, she and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with the man who turned out to be Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. Poitras is a masterful storyteller: she compresses the many days of questioning, waiting, confirming, watching the world's reaction and agonizing over the next move, into both a great character study of Snowden and a narrative that will leave you on the edge of your seat as it inexorably moves toward its conclusion. Official Web Site
Bill Stamets' Chicago Sun-Times review...


Now Playing at Landmark's Renaissance Place Cinema

The singular Bill Murray stars in the comical story of a young boy who develops an unusual friendship with the cantankerous old guy next door. Maggie (Melissa McCarthy), a single mother, moves into a new home in Brooklyn with her 12-year-old son, Oliver (Jaeden Lieberher). Forced to work long hours, she has no choice but to leave Oliver in the care of their new neighbor, Vincent (Murray), a retired curmudgeon with a penchant for alcohol and gambling. An odd friendship soon blossoms between the improbable pair. Together with a pregnant stripper named Daka (Naomi Watts), Vincent brings Oliver along on all the stops that make up his daily routine—the race track, a strip club and the local dive bar. Vincent helps Oliver grow to become a man, while Oliver begins to see in Vincent something that no one else is able to: a misunderstood man with a good heart. Written and directed by Theodore Melfi. Official Web Site
Richard Roeper's Chicago Sun-Times review...


Now Playing at Landmark's Renaissance Place Cinema

With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history—traveling beyond this galaxy to discover whether mankind has a future among the stars. Writer/director Christopher Nolan (The Dark Knight trilogy, Inception) returns with a breathtaking space epic featuring an all-star cast, including Matthew McConaughey, Anne Hathaway, Jessica Chastain, Wes Bentley, Michael Caine, Topher Grace, Casey Affleck, John Lithgow and Ellen Burstyn. Official Web Site
Richard Roeper's Chicago Sun-Times review...


One Show Only! Sun, November 23 at 11:00am
at Landmark's Renaissance Place Cinema

A despairing father is torn between love for his family and duty to a corrupt city in Verdi's searing early tragedy.  Placido Domingo stars as the Doge of Venice, whose son Jacopo (Francesco Meli) has been convicted of murder and treason, although his wife Lucrezia (Maria Agresta) is sure of his innocence.  But the Doge, trapped by the machinations of a corrupt city, is forced to make a terrible decision. Despite the opera's sombre soul, the music for I Due Foscari contains exhilarating forerunners of Verdi's later style—particularly in the fiercely virtuosic writing for the heroine Lucrezia and her magnificent duets with the Doge in Act I and with her doomed husband in Act II. American director Thaddeus Strassberger, making his Royal Opera debut, depicts a Venice that is rotten to its core. Mattie Ullrich's opulent costume designs reference the opera’s 15th-century setting while suggesting the corruption lurking beneath. The spare sets of award-winning British designer Kevin Knight illustrate the Foscaris' isolation and the decay of the city, before flaring out into grand guignol for the opera's brilliant Act III carnival. Conducted by Antonio Pappano. Ticketing Information


One Show Only! Thu, December 4 at 7:00pm
at Landmark's Renaissance Place Cinema

Hermia loves Lysander and Helena loves Demetrius—but Demetrius is supposed to be marrying Hermia. When the Duke of Athens tries to enforce the marriage, the lovers take refuge in the woods and wander into the midst of a dispute between the king and queen of the fairies, Oberon and Titania. Shakespeare put some of his most dazzling dramatic poetry at the service of this teasing, glittering, hilarious and amazingly inventive play, whose seriousness is only fleetingly glimpsed beneath its dreamlike surface. Michelle Terry (Titania/Hippolyta) won the 2011 Olivier Best Actress Award for her portrayal of Sylvia in Tribes (Royal Court). Ticketing Information


Starts Friday, December 5
at Landmark's Century Centre Cinema

In Wild, director Jean-Marc Vallée (Dallas Buyers Club, The Young Victoria), Academy Award winner Reese Witherspoon (Walk the Line) and Academy Award nominated screenwriter Nick Hornby (An Education) bring bestselling author Cheryl Strayed’s extraordinary and inspirational adventure to the screen. After years of reckless behavior, a heroin addiction and the destruction of her marriage, Strayed (Witherspoon) makes a rash decision.  Haunted by memories of her mother Bobbi (Academy Award nominee Laura Dern) and with absolutely no experience, she sets out to hike more than a thousand miles on the Pacific Crest Trail all on her own.  Wild powerfully reveals her terrors and pleasures—as she forges ahead on a journey that maddens, strengthens and ultimately heals her. Official Web Site


One Show Only! Sun, Dec 7 at 11:00am
at Landmark's Renaissance Place Cinema

Bill Nighy (Pride, Love Actually, The Best Exotic Marigold Hotel) and Carey Mulligan (Inside Llewyn Davis, The Great Gatsby, An Education) star in the highly anticipated production of David Hare's Skylight, directed by Stephen Daldry (The Audience, The Hours, Billy Elliot), recorded live from the West End earlier in 2014 by National Theatre Live. On a bitterly cold London evening, schoolteacher Kyra Hollis (Mulligan) receives an unexpected visit from her former lover, Tom Sergeant (Nighy), a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires. Skylight was originally produced at the National Theatre in 1995, and won an Olivier Award for Best Play. Ticketing Information


One Show Only! Sun, January 18 at 11:00am
at Landmark's Renaissance Place Cinema

L'Elisir D'Amore is Donizetti's romantic comedy of rural life which comes up trumps in director Laurent Pelly's staging, matching the piece's perfect blend of sentiment and tomfoolery. Italian conductor Daniele Rustioni conducts this star-studded cast revival. Lucy Crowe takes the soprano lead as Adina, the most sophisticated woman in the village, loved from afar by Vittorio Grigolo's dashing but shy Nemorino, with Bryn Terfel as the larger-than-life travelling quack, Doctor Dulcamara. L'Elisir D'Amore, to be recorded live from the Royal Opera House stage in late 2014, is one of the most frequently performed of all Donizetti's operas, combining a touching love story and hilarious comedy with beautiful music, including the much-loved aria "Una furtiva lagrima." The opera's premiere in Milan in 1832 was a triumph and secured Donizetti's place as one of the leading Italian opera composers of his day. The Royal Opera's charming production is set in the sun-drenched countryside of 1950s Italy, complete with haystacks, Vespas and even a stray dog. It is injected with lively, visual humour, from Nemorino's tipsy clowning to Dulcamara's lumbering truck from which he sells his quack remedies. Donizetti deftly brings his characters alive with a sparkling score: Nemorino's love for Adina is expressed through lyrical arias; Adina's animated, flamboyant style softens as her feelings towards Nemorino begin to change—and all the while Dulcamara endlessly chatters away with irrepressible self-belief. Ticketing Information


One Show Only! Sun, February 22 at 11:00am
at Landmark's Renaissance Place Cinema

Andrea Chénier is the best-known opera by Umberto Giordano, one of Puccini's leading rivals. It presents a fictionalized account of the life of the pre-Romantic French poet who was guillotined during the Reign of Terror in 1794. Chénier and the servant Carlo Gérard both love the young aristocrat Maddalena. When Maddalena loses everything in the French Revolution, Chénier offers her protection, and so incites the envy of Gérard, now a powerful official. Tenor Jonas Kaufmann stars; his three arias provide highlights on an evening that also offers major opportunities to Dutch soprano Eva-Maria Westbroek as his beloved Maddalena. Andrea Chénier, to be recorded live in the UK in early 2015, has become celebrated for the lyrical music it offers the tenor who takes the leading role, with the off-the-cuff Improvviso of Act I and his final aria "Come un bel dì di maggio" particular highlights. But there are thrilling moments for the whole cast, including Maddalena's ardent aria "La mamma morta," Gérard's "Nemico della patria!" and a host of dramatic duets and characterful ensembles. With a string of successes for The Royal Opera to his name, director David McVicar brings Giordano's thrilling historical drama back to the iconic Covent Garden stage for the first time since 1985. Ticketing Information


One Show Only! Sun, March 29 at 11:00am
at Landmark's Renaissance Place Cinema

Der Fliegende Holländer (The Flying Dutchman), Wagner's early opera, explores the themes of damnation and redemption that continued to fascinate the librettist and composer throughout his career. In this tale of a sea captain forced to sail the seven seas for eternity until released by the faithful love of a good woman, Wagner created two unforgettable characters operating near the limits of human emotion. Tim Albery's Olivier-nominated production for The Royal Opera, to be recorded live on stage early in 2015, delves deep into the psychology of Wagner's cursed wandering Dutchman (Bryn Terfel) and his beloved Senta, detailing the monomania and uncompromising idealism that finally drives them apart. Michael Levine's elemental single set is dominated by a rolling metal hull that represents the Dutchman's phantom ship, the poverty of Senta's home and the treacherous sea. Ticketing Information


One Show Only! Sun, May 3 at 11:00am
at Landmark's Renaissance Place Cinema

Rise and Fall of the City of Mahagonny, a major work created by the unique partnership of playwright Bertolt Brecht and composer Kurt Weill receives its first ever Royal Opera production in spring 2015 and will be recorded live on stage at that time. One of the great epic operas of the 20th century, Mahagonny is a satire on money, morality and pleasure-seeking among the dubious citizens of a fictional city. Three criminals on the run find they can go no further and found a city—Mahagonny, city of gold. The destitute and the disenchanted flock to Mahagonny, among them the prostitute Jenny and the lumberjack Jim Mahoney with his three friends. This exhilarating new staging is by John Fulljames, The Royal Opera's Associate Director of Opera, with a new English translation by Jeremy Sams. The starry cast includes Anne Sofie von Otter as the great survivor Leokadja Begbick, Christine Rice as Jenny (who leads the opera's best-known number the "Alabama Song"), and Willard White as the fugitive Trinity Moses. The Royal Opera's Associate Director of Opera John Fulljames directs The Royal Opera's first production of the work in collaboration with designer Es Devlin (Don Giovanni, Les Troyens). They focus on Brecht and Weill's stinging critique of consumerism while finding new relevance in our insatiable depletion of the earth's resources. Mark Wigglesworth conducts. Ticketing Information


One Show Only! Sun, June 28 at 11:00am
at Landmark's Renaissance Place Cinema

Join The Royal Opera for one of the most popular operas of all time as John Copley's timeless production of La Bohème returns to the Covent Garden stage for the very last time. To be recorded live in mid-2015, the tender and ultimately tragic love story is given moving expression through Puccini's beautiful and memorable score. Cinema audiences will be treated to a world-class cast including Anna Netrebko as Mimi and Joseph Calleja as Rudolfo. The captivating story unfolds against the colourful spectacle of the Café Momus and brings the noise and vibrancy of bohemian 19th century Paris to life in stunning detail. Dan Ettinger conducts the stunning score in what promises to be a revival that goes down in Royal Opera history. Sung in Italian with English subtitles. Ticketing Information



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